Permanent Straightening Singapore

SPRINT ON 23 MARCH AT THE MOVIES WITH LIGABUE

The March 23 is the Ligabue Day 2011, the day in theaters will celebrate the successes of 2010 signed Ligabue: a year of emotions, songs, music, a 2010 that has crowned his latest album "Goodbye, Monster", the best-selling album ever from 2009 to today and still topped the charts of best selling records of 2010.

from 21 hours of March 23, in connection with cinemas across Italy, Ligabue broadcast for the first time an unreleased version of shots, edited by director Cristain Biondani, made all the dates of his last tour in stages and anticipate what 's new music planned for summer 2011.

In addition, all participants will receive an event film in a limited edition CD single, to remind you of an appointment that comes in its second year, last year in fact, reached Ligabue Day sold out all 108 rooms in Italian which convey the emotions of the Olympic 2008 gig: a record that has established a record of the event to the cinema, and that is 'turned more in the film' saw the day.

Meanwhile, the 28 dates "Ligabue, Almost Acoustic - Theater Tour 2011" started last January 22 Teatro degli Arcimboldi in Milan, they're giving away a wagon intense emotions. In a tour that has sold out all over Italy, Luciano and his band, concert after concert, regularly fail to impress with steps that are paying a fair share of surprises.

Ligabue is also the library from January 26 to never be left alone, with a new book called " many things you do not know me. The seven souls of Ligabue " and published by Arcana written by Patrick De Rossi, journalist, author and former radio host in 1995 the very first book on Ligabue "Some nights dream Elvis."

In this new volume, full of the same Q & A with Luciano, the author deals with the artistic production of La Liga by a point of view "numerology" by proposing the idea of \u200b\u200ba soul divided into seven shares (the rock, the film, the literary, the feminine, passionate, romantic, politics).

And finally ....

DA LUCIANO: Log Book, 28/12/2010:

Beloved,

I will not bore you remembering what year it was hard and deadly.

Everyone knows this.

Let me tell you that for me, beyond the crisis and news and political theater, etc., etc., was a year full full.

Full full of events, anniversaries, testing, tour, album, riedizioni, stadi, palazzetti, ventennali, riunioni, registrazioni, mostre cinematografiche, proiezioni film, proiezioni concerti, radio tour, interviste, servizi fotografici, videoclip, riprese video e via andare.

Al centro di tutto questo mio movimento, senz'altro, ci sono “Arrivederci, mostro!” e il tour.

Dell'album vi ho parlato abbondantemente e il fatto di averlo rifatto in versione acustica la dice lunga su quanto io tenga alle canzoni che lo compongono.

Sono ovviamente felice del successo che ha avuto fino adesso.

Un successo speciale in un anno speciale.

As for the tour there are a few things to say.

First of all YOU.

Once again, more than ever, I found myself amazed by YOU.

did not seem possible that you could be even more and, above all, you could still be more.

Once again you have shown me that I expect YOU to all.

It 's the feeling of a relationship that is growing, where we tell you even more and better.

when we scream in the face of our beliefs, melodies, anger, passion, anxiety, the joy, determination, desire, sadness, strength, rock.

The strength we need.

Thanks again for everything.

Thanks for what you told (me and the world) on barMario.

The other thing to say about the tour is something that perhaps not all of you have ever thought.

means to design a tour for months at a show, build, develop, train a team, join it.

Then finally put it on stage.

Then, suddenly, after having worked hard for so long that thing, is to remove everything.

of a sudden.

There is only one item with another.

All loose, separate.

Any engineer who left for other jobs.

Can you understand, then, the feelings you feel when you see disassemble and "disappear" a show like ours this year?

Certainly the show disappears, it disappears all its parts but are the most important things: the emotions and without trying.

Then, as always in life (but, at least, carrying the emotions) to move to something else. About

leave you giving you some guidance with respect to theater tour that will begin Jan. 22.

We called it "almost acoustic" because there will be only acoustic instruments, but also a minimal instrumentation "Electrical / electronic."

Just to give you an idea I think we will share the 95% noise and 5% electrical / electronic.

play as we always did in the theater "seated."

That will mean that the emotions that we hope to produce will be different from what you feel in a stadium or an arena.

interpretations will be less "natural", certainly not "yell" or "crushed" but probably more full of nuances.

About this know that we have decided that the show will be very simple, basic, without the use of screens.

We would like all the attention on the music.

As for the music here is the training:

Michael Urbano: battery

Kaveh Rastegar: Bass and acoustic bass

Luciano Luisi: piano and keyboards

Mel Previte: chitarre (ac. ed el.) e mandolino

e io: chitarre, armoniche, dobro, bouzouki e forse banjo.

Un'altra cosa che volevo dirvi è che abbiamo fatto una scelta che dal punto di vista produttivo è sicuramente balorda: avrete notato che quando stiamo per più di una data in una città non siamo mai nello stesso teatro.

La scelta che qualsiasi agenzia avrebbe preferito sarebbe stata: poche città e in quelle città starci il più a lungo possibile nello stesso teatro.

Ogni spostamento è fatica e soldi in più.

Noi invece we decided to ask for more effort to anyone who will work for this tour because it not only reaches almost every region of Italy, above all, every night we'll play in a different theater.

There iacerebbe that every night had a unique flavor.

That said I wish you a 2011 as hoped for and, once again, for this 2010:

THANKS.

I embrace you.